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Richard Linklater's Before trilogy (Before Sunrise, Before Sunset, Before Midnight) looks to be headed in the same direction as Michael Apted's Up series: an exploration of the human condition over the passage of time. When Linklater and actors Eth...

"Belle Epoque is the story of Paradise: too good to last. It's about the discovery of life, but the real one, I mean: freedom, art, love, sex, friendship...all the things that make life interesting. It's an oasis... Maybe it's too idealistic, b...

In the 1980s and 1990s, Paul Verhoeven made a name for himself in Hollywood, directing such high-profile films as Robocop, Basic Instinct, and Starship Troopers. Before arriving in America, however, Verhoeven had a flourishing career in the Netherl...

It's all about Cate. Blue Jasmine, Woody Allen's latest, is a loose reworking of Tennessee Williams' A Streetcar Named Desire. It's narratively uneven but the occasional lapses of focus are rescued by Cate Blanchett's riveting lead performance. Th...

Be it ever so humble, there's no place like home - except when you can't figure out where "home" is. That uncertainty underlies the dynamics of Sarah Gavron's Brick Lane, an adaptation of the novel by Monica Ali. However, while the film tackles t...

An indie film with a lot to say, Brigsby Bear can be accused of a lot of things, but lack of ambition isn’t among them. For his feature debut, Good Neighbor comedy troupe founder and SNL segment director Dave McCary has swung for the fences a...

Perhaps Almodovar and film noir simply don't mix. This is the second time in three films the acclaimed Spanish director has attempted to apply his unique style to a twisty mystery and, as was the case with Bad Education, it's not a marriage made i...

The death of a family member has often provided grist for filmmakers' mills, and the resulting productions, both good and bad, have dotted the cinematic landscape for years. Many of the highest profile of these - Ordinary People, In the Bedroom, M...

Burnt by the Sun, the winner of 1995's Best Foreign Film Oscar, attempts, with only limited success, to combine two segments of radically different pacing and temperament. The movie's resolution represents forty-five minutes of taut, arresting dra...

If I was to review Giuseppe Capotondi’s The Burnt Orange Heresy based exclusively on the film’s first half, I would have nothing to offer but raves. Unfortunately, the film’s final 30 minutes prove unable to deliver on the promise of the...