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It would be interesting to know what contribution (if any) credited screenwriter Alexander Payne (Election, Sideways) made to the final draft of I Now Pronounce You Chuck and Larry. Except for the cloying, strident preachiness of the third act, th...

Big ideas can sometimes lead to great motion pictures or, as in the case of I Origins, colossal misfires. A wannabe examination of faith versus science, Mike Cahill's follow-up to Another Earth fails to provide convincing dramatization of his thema...

Upon occasion, cinema can make for strange bedfellows. Consider, for example, I Think I Love My Wife. This relationship comedy marries the sensibilities of French New Wave auteur Eric Rohmer with the youth-friendly, sometimes raunchy humor of Chr...

I Wanna Dance with Somebody (full title: Whitney Houston: I Wanna Dance with Somebody) is as generic a musical bio-pic as one is likely to find. A by-the-numbers, slightly fictionalized chronicle of the rise and fall of pop singer Whitney Houston (...

When one considers a conventional romantic comedy, it’s the details that matter since the overall course must follow a predetermined trajectory. With When Harry Met Sally, one of the best traditional rom-coms of the past four decades, there ...

This certainly isn't the first motion picture to focus on father/daughter bonding, nor will it be the last. But I'll Do Anything has the distinction of being enjoyable and entertaining, while bringing a new twist or two to an old subject. No...

Few figures in 20th century music are more deserving of the label "enigma" than Bob Dylan. Reclusive, frequently misunderstood, and never pigeonholed into a niche, Dylan has remained a mercurial figure for the entirety of his long career. So when...

If there’s one thing I have learned about Charlie Kaufman over the years, it’s that he’s a much better screenwriter than director. Collaborating with the likes of Spike Jonze (Being John Malkovich) and Michel Gondry (Eternal Sunshine of ...

"From the producers of Underworld." Hmmm. Is that supposed to get me excited? Truth be told, such a tag line might be effective because, as pointless and shallow as the Underworld films are, they have a devoted following. Sadly, as apt as comparis...

When all of the dust from 2004's crumbling blockbusters has settled, I, Robot will likely emerge as the strongest mainstream motion picture of the summer. The best big-budget science fiction film since Minority Report, I, Robot gets high marks not...