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In the Bedroom is arguably one of the year's most anticipated independent releases - a movie whose incessant buzz at Sundance carried it at the crest of a wave to Toronto, then placed it in theaters before the end of the year. For those unable to ...

If you go to see Ron Howard’s In the Heart of the Sea, you will get two movies for the price of one.  The first is a rousing deep sea adventure about a ship venturing into rarely-traveled waters in search of one of the era’s most val...

In the Heat of the Night was the first film – and not the last – to capture the Academy’s attention with its clear-eyed but hopeful examination of race relations in the South during the 1960s. Based on John Ball’s 1965 novel of the sam...

When contemplating a musical, whether it’s a Hollywood classic, an original screen creation, or a stage-to-movie adaptation, there are two key considerations. The first is that the film has a story worth telling and that its raison d’etre ...

In the Land of Women is enjoyable for a movie in which pretty much nothing happens. The things that occur during the course of Jonathan (son of Lawrence) Kasdan's debut feature are all subtle and character-based. This is the sort of motion pictur...

In 1963, Frank Horrigan was among the "best and brightest" of the Secret Service, the personal choice of President Kennedy. On November 22 in Dallas, an afternoon that Horrigan will never forget, he became one of the few living agents to lose a pr...

In the Name of the King is a second-rate regurgitation of The Lord of the Rings. Everything about it, down to the set and costume design, apes Peter Jackson's epic trilogy. However, while The Lord of the Rings was a grand story of scope and power,...

There have been countless movies reflecting upon life in the 1960s. Most of those focus on the hippie movement, the civil rights explosion, and Vietnam. In the Shadow of the Moon reminds us that the '60s and early '70s weren't all gloom and unres...

The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema. This image is so blatant and cheesy that it makes one wonder whether director Paul Haggis’ succes...

Andrew Niccol is fascinated by the impact of futuristic technologies on society. His gripping feature debut, 1997's Gattaca, explored a civilization in which genetic tinkering rendered natural reproduction obsolete. With In Time, he is again looki...