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Although the third chapter in the Indiana Jones saga doesn't approach the highs of Raiders of the Lost Ark, it also avoids the lows of The Temple of Doom. A fitting end to the original trilogy, Indiana Jones and the Last Crusade captures some of t...

The explosive (and not entirely unexpected) success of Raiders of the Lost Ark ensured that the movie-going public would meet Indiana Jones again. And, indeed, as soon as Harrison Ford removed the mantle of Han Solo for the final time, he once aga...

Another year, another movie about Truman Capote. However, despite covering much the same ground as last year's Capote, Douglas McGrath's Infamous doesn't feel like a remake. The events are the same, but the tone and perspective are different. Ca...

One of the biggest mysteries about the Robert Langdon movies is why they don’t work. Dan Brown has a large, built-in fan base. There’s no lack of talent in the productions. The director is Oscar winner Ron Howard (who was near the zenith ...

Under the control of a different director, The Informant! might have been a reasonably straightforward thriller. With Steven Soderbergh at the helm, however, this has become a whimsical, semi-comedic romp, complete with a score by Marvin Hamlisch ...

People suck. Life sucks. And when you get to the top, you realize that everything is hollow and pointless. That sums up Bret Easton Ellis' philosophy as well as the central themes of the latest downer of a movie based on one of his novels. The ...

With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time. If you think there are rules for this sort of motion pi...

When it became mainstream in the late 1990s, the Internet fundamentally changed the way human beings communicated. E-mail replaced phone calls and letters as the primary means of long-distance communication. The social media revolution, which ...

At first glance, Inherent Vice might seem to be a detective story. Look a little closer, however, and it becomes clear that this is Paul Thomas Anderson's idea of a comedy. There's slapstick, lowbrow material, and enough strange characters an...

Roughly 20 minutes into Inheritance, I was hooked. Despite the overzealousness of director Vaughn Stein’s intercutting when attempting to ratchet up the suspense during an early sequence, the film exhibits a fast pace and the story offers an...