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To call Eliza Hittman’s Never Rarely Sometimes Always “an abortion movie” is to do it a disservice. Not that such a description would be inaccurate – the film presents one of the most detailed, non-judgmental autopsies of the controver...

In 1971, following the release of Diamonds Are Forever, Sean Connery announced that he would "never again" play the role of James Bond. As a result, the producers brought in Roger Moore, and the series continued. 12 years later, in 1983,...

Spoiler Alert: To the extent that the term "spoiler" can be applied to something this formulaic, I suppose I ought to warn readers that I talk in general terms about how the movie ends. What do you get when you mix A Christmas Carol with a subst...

When last we encountered Pocahontas in movie-land, she had been Disney-fied to allow children to experience a sanitized version of her adventures. While there's nothing wrong with Pocahontas (except the history, that is), Terrence Malick is going fo...

New York, I Love You is the second in a planned five-film series of anthologies that explores different meanings of love. The first movie, Paris, I Love You, was released in 2007. There are also projected excursions to Jerusalem, Rio, and Shangha...

News of the World, based on the 2016 novel by Paulette Jiles, is a road trip Western where the genre serves less as the focus than as a backdrop to the relationship between the paternalistic Captain Jefferson Kyle Kidd (Tom Hanks) and the 10-y...

In 1992, Walt Disney Pictures, riding a wave of euphoria generated by its recent animated successes, The Little Mermaid and Beauty and the Beast, tried to do something that was met by critics with skepticism: revive the live-action musical. Filmm...

Next represents Nicolas Cage's second superhero movie in the space of two months. However, where Ghost Rider was based on a comic book, Next takes its inspiration from a Philip K. Dick story. The result is not unlike what we have come to expect o...

When I first saw Next Stop, Wonderland at a packed screening in the Egyptian Theater during this year's Sundance Film Festival, I was not impressed, and couldn't understand why Miramax Films would ante up $6 million for what is fundamentally a re-t...

The Next Three Days, Paul Haggis' adaptation of the 2008 French film, Anything for Her, uses an interesting concept as a cornerstone of the foundation. Instead of employing a seasoned professional as the lead character of this heist thriller, the ...