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Expecting normalcy from a Coen Brothers production is a pointless endeavor, but anticipating brilliance isn't outlandish. Their latest feature, which has about zero box office potential, provides plenty of the latter and a little of the former. It�...

It's increasingly unusual that a thriller can claim to maintain its intensity for the entirety of its running length. No Escape is masterful at keeping the stakes high without confounding our so-called "suspension of disbelief." Unlike ...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

No Reservations is an adequate adaptation of Sandra Nettelbeck's 2001 German feature, Mostly Martha. While not as emotionally resonant as its inspiration and tending a little more toward melodrama, No Reservations is nevertheless a uplifting tale ...

Romantic comedies are a little like junk food: they're not healthy or sophisticated but, when made right, there's something addictive about their tasty familiarity. Going in, you know what you're going to get. There are no surprises, nasty or other...

Watching No Sudden Move, the thought came to me that, if I didn’t know the director beforehand, I might guess Steven Soderbergh or the Coen Brothers. It’s the kind of production that only those filmmakers (or their proteges) would make, using...

In all the years I have watched James Bond movies, I will confess to rarely having been shocked by a narrative development or twist. Prior to No Time to Die, there was one exception: the conclusion of OnHer Majesty’s Secret Service, when Bond...

It has been a number of years since I have read the story of Noah in "Genesis" but I'm reasonably certain there are some discrepancies between the canonical account and the one related by director Darren Aronofsky in his new movie, Noah. For exampl...

Noble House was one of the last great mini-series to air during the dozen-year term when the format was at the pinnacle of network viewing. From 1977’s Roots to the late 1980s, the mini-series grabbed phenomenal ratings as it brought viewers...

Nobody plays like a less frenetic, grittier version of John Wick with 58-year-old Bob Odenkirk standing in for 56-year-old Keanu Reeves (who was 49 when the first film of the now-franchise was made) as the middle-aged guy nobody should screw w...