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When modern movie watchers think of Alfred Hitchcock, they often focus on his work from the 1950s and 1960s, but some of the director’s most accomplished films came earlier. Arguably his best pre-Rear Window outing was 1946’s Notorious, the fi...

The Notorious Bettie Page is one good looking movie about one good looking dame. It tells of the career of '50s pin-up queen Bettie Page (Gretchen Mol), who was the object of countless masturbatory fantasies in the pre-Playboy era. Despite being a ...

In Western culture, we are obsessed by the concept of celebrity. How else can one explain the plague of paparazzi that descends on public figures when they make appearances, or the popularity of gossip magazines and TV shows? Celebrities are l...

For Nouvelle Vague, director Richard Linklater offers a three-for-one. It’s a hangout movie, a love letter to the French New Wave, and a behind-the-scenes look at one of the era’s most famous films: Jean-Luc Godard’s Breathless. Stylisti...

The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

Classifying The Novice is a challenge. Lauren Hadaway’s feature directorial debut treads a daring line between drama and psychological horror. By presenting the film through the eyes of the main character, college freshman Alex Dall (Isabelle Fu...

Perhaps the most remarkable thing about Novitiate is the even-handedness with which it treats religion in general and 1960s era Catholicism in particular. Set mostly within the confines of a convent, the feature debut of writer/director Margare...

There are times when Novocaine is a blast – mostly when it’s relying on the easygoing charisma of actor Jack Quaid, leaning into chemistry between Quaid and Amber Midthunder, or having fun with some of the more unconventional aspects of the le...

With Now You See Me, director Louis Leterrier has taken a page out of the book of his characters: use sleight-of-hand so viewers are distracted from some rather obvious screenplay deficiencies. By employing a fast-moving, high-energy approach that...

2013’s Now You See Me wasn’t just about showmanship and misdirection, it was showmanship and misdirection. Brought to the screen by the sure hand of director Louis Leterrier, this was a triumph of style over substance - a flashy, fast-pac...