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For Nouvelle Vague, director Richard Linklater offers a three-for-one. It’s a hangout movie, a love letter to the French New Wave, and a behind-the-scenes look at one of the era’s most famous films: Jean-Luc Godard’s Breathless. Stylisti...

The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

Classifying The Novice is a challenge. Lauren Hadaway’s feature directorial debut treads a daring line between drama and psychological horror. By presenting the film through the eyes of the main character, college freshman Alex Dall (Isabelle Fu...

Perhaps the most remarkable thing about Novitiate is the even-handedness with which it treats religion in general and 1960s era Catholicism in particular. Set mostly within the confines of a convent, the feature debut of writer/director Margare...

There are times when Novocaine is a blast – mostly when it’s relying on the easygoing charisma of actor Jack Quaid, leaning into chemistry between Quaid and Amber Midthunder, or having fun with some of the more unconventional aspects of the le...

With Now You See Me, director Louis Leterrier has taken a page out of the book of his characters: use sleight-of-hand so viewers are distracted from some rather obvious screenplay deficiencies. By employing a fast-moving, high-energy approach that...

2013’s Now You See Me wasn’t just about showmanship and misdirection, it was showmanship and misdirection. Brought to the screen by the sure hand of director Louis Leterrier, this was a triumph of style over substance - a flashy, fast-pac...

Three years after the modest 2013 hit Now You See Me, the filmmakers decided to make an ill-advised sequel, even though the original had all the earmarks of a stand-alone film. Sure enough, the second installment underwhelmed, shedding nearly ever...

Since this is a thriller, there must be a twist. One goes into a movie like The Number 23 with this expectation. However, not only is the twist telegraphed early but it is presented in a clumsy and unconvincing manner. Other films have employed ...

The Nutcracker and the Four Realms is a miscalculation of Magic Kingdom-sized proportions. Designed for and targeted at prepubescent girls, the holiday-themed fantasy adventure drowns in CGI, underdeveloped characters, and a plot utterly devoi...