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Sometimes, it's all about execution. There are times when a movie can boast a compelling premise, yet translating that idea into reality defeats the filmmakers. Maybe the screenplay sucks, the actors aren’t up to snuff, or the tone is all over t...

There are three rules for any self-respecting heist movie: (1) the caper should be interesting, convoluted, but easily explained/decoded at the end; (2) although no heist is airtight, the holes shouldn’t be apparent to the audience in real t...

The good news is that the 2001 version of Ocean's Eleven represents one of the rarest of Hollywood rarities: a re-make that is actually better than the original. That's not to say that this motion picture is an unqualified success - one tends to e...

I may be in the minority, but I don't consider Ocean's Twelve to be the dog that some critics have labeled it. Sure, it's a little self-indulgent, but it's a genial caper drama that allows us to spend some time in the company of the survivors of t...

Pleasantness and affability reign supreme in Steven Soderbergh's sequel to the remake of Ocean's Eleven. This time around, even the bad guys don't seem so bad. Rumor has it that the atmosphere on the set of Ocean's Twelve was so easy-going that i...

There are a number of ways one can categorize October Sky. My preference is to call it Varsity Blues for those who don't like athletics. And, while such a facile description threatens to reduce this movie to a plateau far below its worth, it ...

For a horror movie, Oculus is surprisingly lean on the scares. It's more interested in playing tricks with perception and bending reality. Ambitious material for director/editor Mike Flanagan (expanding from his award-winning short) and, if he does...

According to Wikipedia, cataplexy (a form of narcolepsy) “is a sudden and transient episode of muscle weakness accompanied by full conscious awareness, typically triggered by emotions such as laughing, crying, or terror.” Charlie (Martin F...

Off the Black trudges through painfully familiar material - the older man/younger boy pseudo father/son relationship - with little regard for the fact that any seasoned movie-goer will immediately sense where the film is headed. The story's lack o...

Oh, Hi! can best be described as an interesting failure. The underlying idea seems promising: start out the movie as a standard-order rom-com then shift into Misery territory. Make the whole thing a dark, twisted comedy that offers commentary on t...