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Stepmom is the kind of bad movie that can be blamed on just about everyone involved except, perhaps, the actors. There's nothing wrong with any of the performances, although they're wasted in the service of inferior material. The script is a mish...

When considering Steve Jobs, the first thing to recognize is that this isn’t a bio-pic. Oh, the movie uses Jobs’ life as the basis of its story and cherry-picks facts and reminiscences to form the skeleton. But screenwriter Aaron Sorkin a...

Movie-goers and critics alike have come to associate science fiction motion pictures with noisy space battles, grotesque aliens, and budgets that excel the GNP of a small country. Often, these sorts of films are characterized by scripts that could...

There's no shortage of literature and cinema about human beings afflicted with Alzheimer's or some form of dementia. The near universality of the caregiver's experience, one of the most painful trials any person can be asked to endure, is one reaso...

This review contains oblique spoilers. Since it’s a con movie, even unspecific revelations could potentially spoil aspects of the viewing experience. Keep that in mind if you choose to read on…Butch and Sundance ride again! Re-united with G...

Stir of Echoes belongs to one of the oldest genres of horror films: the ghost story. And, unlike a multitude of subpar entries that have borne this appellation over the years, it's mostly effective. Like all good ghost stories, it understands tha...

Stoker is deliciously demented, and that's a good thing. This twisted coming-of-age tale takes us into Carrie territory without the supernatural element. It wends its way along an unpredictable narrative trajectory with a warped sensibility that of...

The problem with Stone, at least insofar as there is a problem, is that director John Curran (The Painted Veil) can't decide what he wants the movie to be. As with a previous script in which he had a hand, The Killer Inside Me, there are strong noi...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The picture, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-to-...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The movie, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-t...