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It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavis...

Since the release of Jurassic Park, Michael Crichton has become a Hollywood staple. Rights to each new novel are quickly optioned, and the resulting film is on the market as soon as ILM can get the special effects done. Congo is the fourth adapta...

James Wan is among the best horror directors working today. His filmography reads like a “best of” modern scary movies, and The Conjuring 2 is a worthy addition to the list. Although the successful box office performance of The Conjuring ...

The Conjuring represents a member of an increasingly endangered species: the R-rated horror movie that relies more on suspense and scares than blood and gore. That's not to say there are no instances of horrific, stomach-churning visuals in The Con...

For his follow-up to City of God, Brazilian director Fernando Meirelles has elected to adapt John Le Carré's The Constant Gardener into movie form. A slow-burn thriller simmering with international intrigue, the book would at first seem too long ...

Rarely has the question "What the hell?" been more appropriate. An uneven amalgamation of the brilliant and the preposterous, Constantine left me by turns intrigued, confused, and wary. The recipe calls for some ingredients that are compelling, o...

Contact is likely to change a lot of perceptions -- not only about the role of humankind in the universe, but about what special effects can do for a movie when they're used in the service of a story, rather than the other way around. Contact...

Contagion is the best movie made to date about an epidemic/pandemic. By making the characters accessories to the story rather than the central focus, the film is able to tell the story of the evolution of the disease without being encumbered by mel...

For his sophomore effort, filmmaker Rod Lurie turned his attention to the Oval Office. The Contender, a low-key political thriller that relies primarily on character interaction to develop tension, is a close cousin to Lurie's debut cinematic ...

Contraband is the kind of thriller that offers just enough in the way of effective elements to assemble a two-minute trailer. When it comes to a 110-minute feature, however, the sketchiness of the plotting and the director's lack of sure-handedness...