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In essence, Control is a standard order biopic of a tormented artist. What makes the film interesting, if not unique, is the style in which director Anton Corbijn has elected to present it. Rather than approaching the picture with the vivid psych...

Take a real-life feel-good story about personal heroism and use it as the basis for a generic screenplay. Lather on some prestige. Hire an Oscar-winning actress and a bunch of supporting performers with nominations on their resumes. Promote the ...

Cookie's Fortune deserves to be appreciated on its own terms. A less-ambitious outing from veteran director Robert Altman (at least when compared to movies like Nashville, The Player, and Short Cuts), this movie delivers agreeable performances and...

"What we have here is… failure to communicate." In the history of motion pictures, there are a few - but only a few - better-known quotes. Even people who have never heard of Cool Hand Luke know that line (and can ape it with an imperfect Sto...

The Cooler, as icy a title as you're likely to find, is about the efforts of one man to find his luck (or, to be more precise, some form of luck other than that of the bad variety). Rarely has a more pathetic individual been captured and portrayed ...

Cop Out is Kevin Smith's first foray into mainstream action/comedy entertainment and the first time he has directed a film he did not write. This is evident - although there are a few ribald moments to be found sprinkled throughout, the movie's hu...

During the mid-1990s, in the wake of Quentin Tarantino’s unlikely ascent, the movie landscape was suddenly populated by all manner of Pulp Fiction wannabes. Some were better than others. Joe Carnahan got his start with one of these, 1998’s ...

I have nothing against historical fiction: books or movies using real characters in situations that didn't happen. However, one would hope in such cases that the authors would have a story worth telling. That's not the case with Copying Beethoven...

Henry Selick has a particular sensibility and, when choosing material for his movies, he seeks stories that fit into the slightly twisted, quasi-fairy tale realm where he feels comfortable working. Thus, in the past, he has collaborated with Tim B...

Note: I suppose the official title of the movie is Tim Burton's Corpse Bride, presumably to distinguish it from William Shakepeare's Corpse Bride or Jane Austen's Corpse Bride. The wordiness seems silly so, for the purposes of this review, the fil...