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If you were bored by My Dinner with Andre, The Designated Mourner isn't for you. If Spalding Gray's monologues put you to sleep, prepare to snooze through The Designated Mourner. And if you think Twister is perfectly paced, give The Designated Mo...

William Shakespeare. Charles Dickens. Jane Austen. Those three authors are perhaps the most frequently adapted writers of classic novels in the relatively short history of cinema. There’s a reason for that. The timeless nature of their outpu...

February thrillers often get a bad rap, and deservedly so. Most of them are plodding retreads with little star power and less plot. So it's a surprise to see something as (relatively) well-crafted as Firewall showing up in theaters this month. Th...

The best things – or at least the most memorable ones – in The Flash are rooted in fan service and nostalgia. The movie, although too long by about 45 minutes, is enjoyable on that level. With a tone that skews closer to that of Shazam! than M...

The Glass Castle, based on the memoir of the same name by Jeannette Walls, comes across as an offbeat coming-of-age story whose integrity is impeded by the need for closure. Real life doesn’t work that way but movie-goers don’t like loose ...

If this is the future for motion pictures, god help us all. A major collaboration between the Chinese film industry and Hollywood, The Great Wall features a primarily Asian cast with a few big-name American actors sprinkled in. The brainless story is...

Thanks, but no thanks. That, apparently, is what the producers of Hellboy told Guillermo del Toro when he expressed an interest in making a third film in the franchise he brought to the screen. With apologies to Neil Marshall, it begs the ques...

1986's The Hitcher is not representative of a classic of the 1980s horror boom, so the decision by Michael Bay and company to re-make it is merely unnecessary, not sacrilegious. 20 years later, the original stands up well; there is no need to re-i...

The awkwardly-titled The House with a Clock in Its Walls is a classic example of a film that works better for children than adults. Seemingly made with the under-10 crowd in mind, the screenplay (credited to Eric Kripke, adapting the book by J...