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Hunter Killer is not going to challenge Das Boot for the title of “best submarine warfare film of all time.” By tossing aside the reliable characteristics of the genre (claustrophobic atmosphere, sense of isolation, simmering tension), di...

Undoubtedly, some reviews are going to describe Inception as confusing. Such a description confounds me, and may be more indicative of how accepting people have become of screenplays that allow for no ambiguity and traverse plotlines by blazing tr...

Aside from the title, the basic concept, and the use of the surname “Griffin,” Leigh Whannell’s “reboot” of The Invisible Man bears little resemblance to the 1933 classic Universal monster movie and even less resemblance to the 1897 ...

What is it about clowns, anyway? Why do some people find them hilarious while others are creeped out by them? Whatever the case, author Stephen King exploited the duality of clowns – always smiling, seemingly-friendly, weirdly inhuman – in...

It is sometimes said that there’s no such thing as “too much of a good thing.” In the case of Stephen King’s It, that may not be true. Clocking in at a bloated 170 minutes, It Chapter Two is a full 35 minutes longer than Chapter One an...

The 2003 version of The Italian Job is less of a straightforward remake of the 1969 picture than it is a complete re-interpretation. Enough has changed that it's possible to see the two films not as the same story separated by three decades, but a...

"And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." - Old Arabian Proverb When released in 1933, King Kong was greeted with unprecedented amazement. State-of-the-...

Spoiler Alert: This review assumes that the reader is familiar with the story of King Kong, including the ending. If you're not, and don't want to be spoiled, it's best to stop reading after the fourth paragraph and return once you have seen the ...