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Billy Wilder, one of the titans of cinema during the 1940s and 1950s, won his first Best Director Oscar for 1945's The Lost Weekend (he would go on to win another for 1960's The Apartment). Over a span of 21 years beginning in 1940 and concluding ...

It would be inaccurate to claim that A Million Ways to Die in the West is devoid of humor. It isn't. However, Seth MacFarlane's hit-and-miss spoof of Westerns has far more "misses" than "hits" and the actor-director-writer (Ted) doesn't seem to rea...

In his famous 1944 speech to the Third Army, General George S. Patton said the following: “The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly.” I don’t know whether director Guy Ritchie thought of those w...

As thrillers go, The River Wild is a cut below a "white-knuckler," but it still has its share of spills and chills. Crafted by Curtis Hanson with considerably more style and substance than his previous effort, The Hand that Rocks the Cradle, The R...

In the 1940s and '50s, star power drove movies. Staples of cinema like plot, character, and photography were often of secondary importance to who topped the marquee. Well-known actors could draw large crowds to a bad movie, while obscure name...

These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a...

Wilde Salome and its companion piece, Salome, may rightfully be considered Al Pacino’s “lost film”. Although made more than a decade ago in 2006, the movie wasn’t fully edited and ready for showing until 2011. Despite making some fest...

As Shaun of the Dead illustrated, it is possible to make a horror comedy that is both funny and scary. Severance, while not nearly as successful as Edgar Wright and Simon Pegg's zombie movie, manages to mix in a few good gags with the requisite go...

Shadow of a Doubt is a Hitchcock film that doesn’t necessarily feel like a Hitchcock film. That doesn’t mean it’s not a bona fide classic but many of the tropes that would come to be identified with the Master of Suspense are conspicuously a...