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For a filmmaker like Joss Whedon, known world-wide for playing with huge budgets in genre entertainment, the choice to bring to the screen one of Shakespeare's most popular comedies using a low-budget, "experimental" style might seem an odd choice....

The ghost of Mark Twain looms large over Jeff Nichols' Mud, a modern-day homage to the settings and characters popularized in some of Twain's best loved works. The protagonists in Mud, a couple of 14-year olds, are named Ellis (Tye Sheridan) and Ne...

At the heart of Mudbound, director Dee Rees’ adaptation of Hillary Jordan’s novel, is the relationship that forms (and the consequences of that relationship) between two World War 2 veterans – one white and one black – in the deeply se...

Mufasa, a prequel to both 1994’s original and 2019’s remake of The Lion King, is an example of commercialism at its most obvious. Although there are praiseworthy elements to Barry Jenkins’ venture into the series and children will almost cert...

If compared to the recent batch of high-profile live action remakes of animated classics, Mulan is a unique case. When it comes to baggage, it has the lightest load. Beauty & the Beast, Aladdin, and The Lion King all made more than $200M during...

There was a time when David Lynch made coherent, challenging motion pictures. Love it or hate it, there's no doubt that Blue Velvet was one of the most talked-about motion pictures of the 1980s. Some consider it to be a masterpiece, while others vi...

The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million,...

When Universal Pictures remade The Mummy in 1999, they wisely opted for a radically different tone, shifting from the atmospheric horror of the 1932 original to a Raiders of the Lost Ark-style adventure motif. Now, for the third major film to b...

It has been a bad year for Indiana Jones and his knock-offs. In the wake of the lackluster Indiana Jones and the Kingdom of the Crystal Skull, we now have the second sequel to The Mummy, called Tomb of the Dragon Emperor. It is easily the worst o...

A film of uncommon depth, intelligence, and sensitivity, Munich defies easy labeling. Watching the movie is like reading a top-notch espionage thriller by Le Carre or Deighton. Yet, at the same time, this is a visual experience. The moral and ethic...