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Mr. Brooks is a curious mix of the campy and the intelligent, of high concept and low psychology. In spite of these contradictions, or perhaps because of them, it works. This is a tense and engaging thriller, the kind of movie where the audience m...

There's something a little annoying about a movie that tries this shamelessly to be endearing and family friendly. Typically, these kinds of films feature Santa Claus in a significant role. Here, there is no Santa but there is a 243-year old guy ...

Mr. Malcolm’s List feels a lot like a watered-down version of Netflix’s hit streaming series, Bridgerton (although, to be fair, Mr. Malcolm’s List is based on a short film that came into being before Bridgerton went before cameras). Both are...

Mr. Turner, Mike Leigh's chronicle of the last 25 years in the life of painter J.M.W. Turner (Timothy Spall), is most notable not for its slow pacing, outstanding acting, or accurate period detail, but for the cinematography by Dick Pope. Pope, w...

It seems strange to watch Mrs. Doubtfire and not see Dustin Hoffman. This is, after all, a variation on Tootsie meets Kramer vs. Kramer, both of which featured Hoffman. Here, it's Robin Williams fighting for custody of his children, while donning...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...

For all those who think movies don't have enough naked female flesh, welcome to Mrs. Henderson Presents. It would have been interesting to witness the MPAA's deliberations about this film. There's some violence, but not much. There's no sex or sex-...

Mrs. Miniver began life in 1937 as a series of newspaper columns in The Times - reflections by Jan Struther on everyday life in the U.K. With the onset of World War II, Struther's work took on a darker hue, and the columns were collected and publi...

For a filmmaker like Joss Whedon, known world-wide for playing with huge budgets in genre entertainment, the choice to bring to the screen one of Shakespeare's most popular comedies using a low-budget, "experimental" style might seem an odd choice....

The ghost of Mark Twain looms large over Jeff Nichols' Mud, a modern-day homage to the settings and characters popularized in some of Twain's best loved works. The protagonists in Mud, a couple of 14-year olds, are named Ellis (Tye Sheridan) and Ne...