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The Muppets is a rare family film likely to appeal more to parents than to their offspring. Although it's true that most kids today know a thing or two about Jim Henson's creations (the movie's premise - that they have vanished into obscurity since...

Like most Agatha Christie stories, Murder on the Orient Express is all about the “whodunnit?” Once that question has been answered, there’s little reason to revisit the story. Christie never cared much about character development and her ...

As a tale of human courage and personal triumph, Murderball works. As a sports documentary, it falls short of the mark. Fortunately, Henry Alex Rubin and Dana Adam Shapiro's crowd-pleasing movie (it won the Audience Award for Best Documentary at ...

One would be justified in approaching Music and Lyrics with a certain amount of skepticism, considering that its writer/director, Marc Lawrence, is perhaps known for foisting two Miss Congenialitys upon the world (although to be fair, he didn't dir...

Must Love Dogs is a product - a pre-packaged, easily-digestible motion picture designed with one particular audience in mind. You know the kind of film. You have seen it before, usually with names like Nancy Myers or Nora & Delia Ephron involved....

The Mustang is an unconventional tale of redemption that earns its upbeat ending by not falling prey to every cliché of the genre or giving in to the temptation to become too maudlin or sentimental. Although actress-turned-director Laure de ...

Romantic comedies are fantasies. They invite us to fall in love with the main characters as they fall in love with each other. That's difficult to accomplish when viewers find themselves actively disliking those characters. How is it possible to...

It is the unenviable lot of the film critic to endure a long string of so-called "romantic comedies", most of which are only marginally romantic, and not at all funny. So, when there's an exception to the rule, it's worth taking notice. Such is ...

To the extent that My Big Fat Greek Wedding 2 is about cross-cultural pollination, try this one out: instead of “Opa!”, how about “Oy Vey!” Yes, they’re back, and not because anyone was pining for their return. The “lovable” Portokal...

The enduring popularity of Daphne Du Maurier’s 1951 novel, My Cousin Rachel, relates to the ambiguity surrounding the title character. In his solid 2017 adaptation of the book, screenwriter/director Roger Michell (Notting Hill) has captured the...