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We have reached the Season of Natalie Portman. With no fewer than six movies due to be released within a six-month period (Black Swan, The Other Woman, No Strings Attached, Hersher, Your Highness, Thor), a confirmed Golden Globe nomination (and pro...

Has it come to this for director Nick Cassavetes? The son of acclaimed iconoclast filmmaker John Cassavetes, Nick has been toiling in mostly indie circles for the better part of his career, making some fine motion pictures in the process: Unhook th...

Our Brand is Crisis is about an election but in many ways it plays out like a boxing movie told from the perspective of the trainer. The cynical, satirical edge is entirely appropriate for the world of politics in which style trumps substance and the...

Lately, comedies seem to come in two flavors: profane raunch-fests that seek to garner laughs via shock tactics and big-screen sit-coms. Despite Zooey Deschanel's repeated utterance of the word "fuck" and a dud of a threesome, Our Idiot Brother fal...

Steel, once a bulwark of American industrial might, was transformed over a short span of decades from a thriving commercial enterprise into a fossilized shell of its glory days. Once an engine of prosperity and a provider of reliable employment, it...

While watching The Outfit, a new film from director Graham Moore, I was reminded of the classic Sleuth – not in terms of specific plot points but in the way the film employs misdirection to increase the level of suspense, and also in the use of ...

Outlaw King, a lavish period piece fronted by Chris Pine and Stephen Dillane, could be seen as a follow-up to Mel Gibson’s Oscar-winning Braveheart, although this new production lacks the epic greatness that infused the earlier film. Pickin...

The Outpost recounts events surrounding the Battle of Kamdesh, an action that occurred in October 2009 when a force of approximately 300-400 Taliban attacked the U.S. Combat Outpost Keating, which was located in a valley of the Hindu Kush moun...

The Outrun, based on the memoir of the same name by Amy Liptrot, takes a motion picture staple – one of addiction and recovery – and re-invents it into something fresh and engaging. Presenting the narrative in a fragmentary, non-linear fashion...

In a welcome change from a growing number of dark, violent movies erupting in theaters this autumn, Outsourced is sweet and light. It's a celebration of cultural diversity and an affirmation that, despite differences in race, religion, and societal...