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The Orphanage is an effective mixture of horror and fantasy, with the supernatural bleeding into dreams that teeter on the brink of reality. It employs a similar, although not identical, approach to the one that marked 2006's late-year success, Pa...

The full title of this movie is the wordy and confusing Science Fiction Volume 1: The Osiris Child. (Is that intended to mean that the series is called “Science Fiction”?) The “Volume 1” should have given me a clue not to expect a compl...

Historical dramas aren't as popular as they were during the years when they were routinely clogging Oscar nomination lists and taking home awards, so it's a source of curiosity every time one comes out to see what concessions have been made to incr...

Will Ferrell's recent resume isn't anything to get excited about: Land of the Lost, Step Brothers, Semi-Pro, Blades of Glory. There's a sameness to all of them, not only in that the Ferrell characters are difficult to differentiate from one anothe...

We have reached the Season of Natalie Portman. With no fewer than six movies due to be released within a six-month period (Black Swan, The Other Woman, No Strings Attached, Hersher, Your Highness, Thor), a confirmed Golden Globe nomination (and pro...

Has it come to this for director Nick Cassavetes? The son of acclaimed iconoclast filmmaker John Cassavetes, Nick has been toiling in mostly indie circles for the better part of his career, making some fine motion pictures in the process: Unhook th...

Our Brand is Crisis is about an election but in many ways it plays out like a boxing movie told from the perspective of the trainer. The cynical, satirical edge is entirely appropriate for the world of politics in which style trumps substance and the...

Lately, comedies seem to come in two flavors: profane raunch-fests that seek to garner laughs via shock tactics and big-screen sit-coms. Despite Zooey Deschanel's repeated utterance of the word "fuck" and a dud of a threesome, Our Idiot Brother fal...

Steel, once a bulwark of American industrial might, was transformed over a short span of decades from a thriving commercial enterprise into a fossilized shell of its glory days. Once an engine of prosperity and a provider of reliable employment, it...

While watching The Outfit, a new film from director Graham Moore, I was reminded of the classic Sleuth – not in terms of specific plot points but in the way the film employs misdirection to increase the level of suspense, and also in the use of ...