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Outlaw King, a lavish period piece fronted by Chris Pine and Stephen Dillane, could be seen as a follow-up to Mel Gibson’s Oscar-winning Braveheart, although this new production lacks the epic greatness that infused the earlier film. Pickin...

The Outpost recounts events surrounding the Battle of Kamdesh, an action that occurred in October 2009 when a force of approximately 300-400 Taliban attacked the U.S. Combat Outpost Keating, which was located in a valley of the Hindu Kush moun...

The Outrun, based on the memoir of the same name by Amy Liptrot, takes a motion picture staple – one of addiction and recovery – and re-invents it into something fresh and engaging. Presenting the narrative in a fragmentary, non-linear fashion...

In a welcome change from a growing number of dark, violent movies erupting in theaters this autumn, Outsourced is sweet and light. It's a celebration of cultural diversity and an affirmation that, despite differences in race, religion, and societal...

To fashion an endearing romantic comedy, there are only a few simple rules to be followed: find two likeable leads whose chemistry sizzles, provide them with a simple framework that allows them to gradually fall for each other in such a way that th...

Over the Hedge, a feature-length adaptation of the popular comic strip, offers further proof that the Golden Age of Digital Animation has come and gone. This is arguably the most entertaining animated film since The Incredibles, but it's not much ...

I don’t understand how certain films are selected for remakes. Take Overboard, for example. The original, a 1987 production starring Goldie Hawn and Kurt Russell and directed by Frank Marshall, was a mostly failed screwball comedy that worke...

The Overnight plays like the pilot of a sitcom developed for Netflix or premium cable. A hit-and-miss affair that deals in a sporadically amusing fashion with many of the mundane (and a few not-so-mundane) tribulations of long-term monogamy in marria...

Owning Mahowny casts an unflinching gaze into a window of addiction of a sort not often portrayed in movies. Based on the true-life book "Stung" by Gary Stephen Ross, the film chronicles the facts of the case of a Toronto bank vice president who s...

One of the age-old questions about movies is whether a terrible ending can ruin an otherwise solid motion picture. In the case of Oxygen, the bad aftertaste from the contrived and unconvincing conclusion diminishes the experience but doesn’t...