Search for 2

Palindromes, the fourth feature from Todd Solondz, makes me wonder whether this director only had two good films in him. A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick. In an attempt to do something "artist...

Groundhog Day was released in 1993. For the next 20+ years, no major production touched the Twilight Zone-ish premise. Recently, however, a new generation of filmmakers has discovered Groundhog Day and decided to try their hands at expanding t...

Most films about teenagers fall into one of two categories: nihilistic tales about angst-riddled kids and saccharine-infused Hollywood confections. To its credit, Palo Alto occupies a welcome middle ground. With a loose, at times almost dreamlike s...

How's a studio to proceed when it wants to do something with a classic, family-friendly property but believes a straightforward remake to be redundant? The solution, as recently explored by several would-be franchises, is to expand the canvas. Ma...

One of the most anticipated releases of the 2006 holiday season is the latest offering from Mexican director Guillermo del Toro, whose previous credits include The Devil's Backbone, Blade 2, and Hellboy. With Pan's Labyrinth, del Toro opens a lands...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

Paper Heart is the latest in the so called "meta documentary" genre that mixes and tangles a fictional narrative with actual documentary footage. Like last year's American Teen, the ability to see the seams and sniff out the fictitious elements de...

Paper Towns is the third coming-of-age story to reach screens during the summer of 2015, following in the wake of the vastly superior Me and Earl and the Dying Girl and Dope. Based on the novel by John Green, Paper Towns is an exercise in artifice. T...

Whatever else it may be cited for, The Paperboy, Lee Daniels' follow-up to Precious, is not going be called "the feel-good movie of 2012." An unsettling period piece mystery (the period being the late 1960s), The Paperboy is steeped in the so-calle...

It's a risky proposition for any artist (director, author, etc.) to humanize a terrorist. In an era when many things have been reduced to black-and-white, the word "terrorist" has become synonymous with "evil." And evil can only be demonized. Becau...