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Most of us, even some who were part of the "in crowd," think of ourselves as having been outsiders during high school. It's the nature of adolescence. Movies like Stephen Chbosky's The Perks of Being a Wallflower capture the awkwardness, the lonel...

As long as there will be movies, new adaptations of beloved classics will follow. The important aspect for every director to remember is to find a unique angle – a change in tone, a different slant to the narrative, a shift in setting, etc. ...

This review contains spoilers. Oblique spoilers, but spoilers nonetheless.Although technically classified as “horror” or a “thriller”, Personal Shopper works best when viewed as a mood piece. There’s something hypnotic about the way ...

If you have read Persuasion or consider yourself a Jane Austen aficionado, this new Netflix-funded production hasn’t been made with you in mind. In fact, the more familiarity one has with Austen, the more likely the 2022 Persuasion is to be seen...

It’s hard to assign a rating to something like Pet Sematary. This new adaptation of the popular Stephen King novel matches the book when it comes to dread and nihilism. Bad things happen to good people with no hope of redemption, salvation, o...

With his third directorial effort, Kenneth Branagh (who has already done the Shakespearean Henry V and the noir thriller Dead Again) sets his sights a smaller sort of picture. Peter's Friends is a slice-of-life movie that illustrates the reunion o...

Most of us living in the United States have never heard of “Peterloo” so Mike Leigh’s recreation of the events leading up to the infamous August 16, 1819 massacre represents a history lesson as well as an effectively crafted (albeit too ...

With a title like Phantom, one might easily assume that this movie is a ghost story. In actuality, however, it's a submarine thriller loosely based on actual events from 1968. The tale told by Phantom falls into the realm of "historical fiction." A...

I have never been a fan of Andrew Lloyd Webber's phenomenally popular stage musical version of The Phantom of the Opera, so it will probably come as no surprise that the film adaptation, which is faithful to its inspiration, left me feeling underwh...

Phantom Thread, Paul Thomas Anderson’s follow-up to 2014’s Inherent Vice, feels a little like a mash-up of Bergman and Hitchcock without the verve of the latter and the subtleties of the former. What begins as a stately costume drama set i...