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Most of us living in the United States have never heard of “Peterloo” so Mike Leigh’s recreation of the events leading up to the infamous August 16, 1819 massacre represents a history lesson as well as an effectively crafted (albeit too ...

With a title like Phantom, one might easily assume that this movie is a ghost story. In actuality, however, it's a submarine thriller loosely based on actual events from 1968. The tale told by Phantom falls into the realm of "historical fiction." A...

I have never been a fan of Andrew Lloyd Webber's phenomenally popular stage musical version of The Phantom of the Opera, so it will probably come as no surprise that the film adaptation, which is faithful to its inspiration, left me feeling underwh...

Phantom Thread, Paul Thomas Anderson’s follow-up to 2014’s Inherent Vice, feels a little like a mash-up of Bergman and Hitchcock without the verve of the latter and the subtleties of the former. What begins as a stately costume drama set i...

Part mystery investigation, part mismatched buddy film, and part condemnation of inhumane attitudes in 1950s Ireland and 1980s Washington, Philomena falls into the category of "too unbelievable to be fiction." Faithfully based on the true story tol...

The older he has gotten, the more offbeat his films have become. Now, to be clear, Wes Anderson has never been a conventional filmmaker. His movies have always appealed more to niche audiences than mainstream ones. (My favorite of his oeuvre, ...

Phone Booth became one of a number of post-9/11 films to fall victim to an increasing reluctance on the part of motion picture studios to release movies where on-screen events echo real-world tragedies. Joel Schumacher's thriller was originally se...

To lump The Pianist in with all of the other Holocaust stories brought to the screen does a great disservice to this powerful, compelling motion picture. Crafted without a whiff of melodrama, this motion picture takes a steady, unflinching look at...

For Malcolm Washington, The Piano Lesson was something of a family affair. For his directorial debut, the filmmaker recruited his brother, John David Washington, to play the lead, while his father, Denzel, produced. The screenplay, which Malcolm c...

The filmmakers responsible for Pieces of a Woman tout its honest, life-affirming qualities. While no one would debate the former, it’s necessary to come through the narrative’s gauntlet to achieve the latter. This is an emotionally wrenchi...