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Give the makers of Point Break credit - in reworking Kathryn Bigelow’s 1991 thriller, they didn’t go for a point-by-point revision. Director Ericson Core and screenwriter Kurt Wimmer opted to try something different. Unfortunately, differ...

Pokemon: Detective Pikachu isn’t a movie. It’s a cog in a multibillion-dollar media empire, a soulless feature-length example of product placement at its most blatant. The so-called “film” never bothers to tell a story worth telling or...

The Polar Express is cinematic magic - a delightful tale guaranteed to enthrall viewers of all ages. Does that sound like advertising hype, or the words of a publicist? Perhaps, but it's a reflection of how strongly this film pulled me under its ...

Polina is mesmerizing. Part of that is because perhaps 50% of the scenes are dance-related, choreographed by co-director Angelin Preljocaj. Another part is because the lead, Anastasia Shevtsova (making her acting debut), is a classically-trai...

Upon its 1982 release, a single notable characteristic could be attributed to Poltergeist: in an era when horror was increasingly being dominated by R-rated slasher movies, it maintained a more child-friendly PG rating. (Note: By today's standard...

Pompeii is a big, glorious, cheesy mess. A fusion of Gladiator and Dante’s Peak, it can’t decide whether it wants to be an action film about coliseum combatants or a disaster flick. Predictably, by trying to be both, it ends up being good as ne...

In some ways, watching Ponyo, the latest effort from Japanese master animator Hayao Miyazaki, is like taking a trip back into time. These days, everything to come out of American animated houses is computer-generated and/or 3-D. Gone are the tim...

Is Poor Things a fantasy with comedic elements? Or perhaps, considering its Frankenstein underpinnings, a horror movie? Or maybe a drama that promotes feminist ideals and libertine philosophies? In reality, it may be all of those things…and more...

Popstar, a collaboration between Judd Apatow and Saturday Night Live alum Andy Samberg, is the latest movie to satirize aspects of popular culture (in this case, the music industry). And, although this might have been considered cutting edge 20 or 30...