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Carol is a haunting motion picture - the kind of film that stays with the viewer long after the multiplex’s neon signage has disappeared from the rear-view mirror. Despite having a deceptively simple storyline, the film is entirely unlike any o...

Love comes in many forms -- platonic, romantic, and sexual -- and this is the issue at the heart of Carrington, a cinematic biography of artist Dora Carrington and her near-lover, writer Lytton Strachey. Though Dora, a heterosexual woman who didn'...

What happens when movie producers cross Three's Company with Masterpiece Theater? The result would be similar to what Touchstone Pictures has provided with Casanova, a farcical romantic comedy period piece. It's worth noting that producing a farc...

After viewing Casino, you may never look at Las Vegas in quite the same way. While this film, adapted from Nicholas Pileggi's nonfiction book, Casino: Love and Honor in Las Vegas, doesn't offer much in the way of startling revelations, it presents...

Three things occurred to me while watching Caught Stealing. First, it's the best work director Darren Aronofsky (Requiem for a Dream) has done since 2010’s Black Swan. Second, in addition to being set in the late 1990s, it embraces the indie film...

Chappie, the latest science fiction endeavor from South African director Neill Blomkamp, isn't just a disappointment; it represents a misfire. It's as if the filmmaker took a number of recognizable science fiction tropes, tossed them into a b...

If there is any living director who can do justice to the warped nature of Roald Dahl's "children's stories," it's Tim Burton. Charlie and the Chocolate Factory isn't the first time these two have "collaborated." Burton produced Henry Selick's anim...

With Chicken Little, Walt Disney's in-house animation department has made the transition from hand-drawn to computer-drawn imagery. As debuts go, this is not a stellar one. It is bogged down by many of the problems that have plagued Disney's rece...

There's a skill to adapting a novel that not all filmmakers have. This is especially evident if a book is not inherently cinematic and requires more "massaging" to shape it into a form capable of fitting comfortably into a two-hour time...

Many of Orson Welles’ films have brilliantly stood the test of time. Chimes at Midnight, his final completed feature film as a director, is not one of them. A re-imagining of three of Shakespeare’s historical plays (with links to two more)...