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Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particula...

Most of us have known someone like Dan Landsman (Jack Black): a Type A personality whose most salient trait is that he's unbearable to be around. Dictatorial and self-absorbed, he is obsessed with being the most important person in the room. Alth...

When it comes to a Spike Lee movie, it would be foolish to expect a politics-free zone. Lee is an activist filmmaker and has never pretended otherwise. He makes movies that entertain and educate but, most importantly, he seeks to challenge. So...

In the movies, like in real life, it isn't enough just to have a heart in the right place. Good intentions are nice, but they need to be backed up by an intelligent script telling an involving story. In the case of Dangerous Minds, we get an idea...

There’s an inevitability about The Danish Girl being well received by critics and at awards ceremonies.  This is, after all, a movie with a strong social message about tolerance and inclusivity. Dramatically, however, it’s a mixed ba...

Dark Water is the latest in the gaggle of Japanese ghost stories turned into major American motion pictures. The obvious virtue of this effort is that, unlike its predecessors The Ring and The Grudge, it makes sense. The problem is that director ...

By all accounts, both the director (Scott Derrickson) and star (Keanu Reeves) of this 2008 film are fans of its 1951 precursor. So what went wrong? At what point did this initially promising remake lose its way? After all, Robert Wise's science ...

Not since Krzysztof Kieslowski's A Short Film About Killing has a motion picture about capital punishment been so disturbing and compelling. Dead Man Walking has appropriated a controversial subject by giving pain and personality to both sides of t...

With a title like Death of a Unicorn, it’s perhaps unsurprising that Alex Scharfman’s film has a distinct Yorgos Lanthimos vibe (keeping in mind that Lanthimos made something called The Killing of a Sacred Deer). Although Scharfman doesn’t em...