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Whether by coincidence or design, the three week period from August 20 through September 10 has been dominated over the last five years by Jason Statham. In 2004, there was Cellular. In 2005, there was Transporter 2. The 2006 entry was Crank, fo...

Fans of Death Race 2000 (they comprise a small but loyal group) argue that the movie’s strength lies not in its action but its political commentary. Although it would be fair to say that the film has allegorical elements related to a dystopi...

Perhaps the most complimentary thing that can be said about Barney Elliott’s directorial debut, The Debt, is that it has the best of intentions. Unfortunately, a worthy message doesn’t necessarily equate to a good movie and, in this case, ...

Thank god for Jake Gyllenhaal.  Absent his performance, Demolition would have been a more unbearable slog than it is. It’s rare when a good performance can save a bad movie but it can make some of the more tedious parts watchable. The problem with...

Den of Thieves, a 2018 heist thriller from director Christian Gudegast, is not a movie I expected to be tapped for a sequel, despite being deserving of one if only for making the post-holiday season merry and bright. One of Gerard Butler�...

Spoilers – sort of: Although this is not a spoiler-heavy review, there are implied spoilers. While specifics are not revealed, anyone good at reading between lines may learn more about the movie than they want to. Those in search of a "virgin" ...

A film about spelunkers going where no sane man (or woman) has gone before and running afoul of things that lurk in the deep darkness… Sound familiar? If you're thinking of a misbegotten film called The Cave, put it from your mind. That movie w...

History has labeled Susan Seidelman’s Desperately Seeking Susan as “a Madonna film” but a more accurate descriptor might be “a Rosanna Arquette film.” Indeed, at the time Seidelman was casting the film, Madonna was a footnote in the musi...

It seems that in a period detective story, it's a prerequisite for the main character to narrate the proceedings. In Devil in a Blue Dress, writer/director Carl Franklin apparently intended this conceit as a tribute to the Dashiell Hammett/Raymond...

When a movie is this bad, it's hard to adequately describe its awfulness in words. The temptation exists to write something along the lines of: "Something this horrible has to be seen to be believed." Of course, that kind of advice would lead to ...