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Watching The Prestige is like observing a magic act where the magician's sleight-of-hand isn't deft enough. The trick almost works, but not quite… With its mechanical twists and turns and lack of heart, the movie often resembles Sleuth in superf...

Since 1992, when the war in Bosnia began, we in the West have been inundated with images of unbelievable carnage -- photographs and videotapes of scenes so horrifying that we're almost afraid to believe them. Pretty Village, Pretty Flame takes us ...

Watching Pride & Prejudice and Zombies, I was overwhelmed with a desire to re-watch the definitive 1995 Pride and Prejudice mini-series starring Colin Firth and Jennifer Ehle. That’s because this new horror/romance mashup provides just enou...

One of the most unfortunate aspects of a courtroom thriller is the tendency to degenerate into preposterous melodrama. It's as if the basic situation of having a person on trial for their life isn't inherently powerful enough. As a result, cheap...

The Producers is a movie based on a play based on a movie about a play. And that's probably the funniest thing about it. In 1968, Mel Brooks made his big-screen directorial and writing debut with The Producers, a slapstick farce about how two B...

I wish there were more movies like Project Hail Mary – films that tease the intellect while appealing to emotion. A science fiction tale that focuses primarily on existential elements rather than space opera ones, the film gives a more believabl...

What begins as seemingly an old-fashioned war film set during the waning years of the Ottoman Empire quickly turns into a dark exploration of the Armenian genocide. This litany of atrocities, unknown to many today and denied by the Turkish gov...

Halloween is rightfully considered to be the father of the modern slasher movie. Ultimately, all the Friday the 13ths, Nightmare on Elm Streets, and Screams owe their existence to that one low-budget film that crept its way across motion picture s...

Psycho Killer is all about misdirection. It starts out as one thing and ends up someplace completely different. The first scene, a shot through the front windshield of a speeding car, offers up a grim aesthetic that is only amplified through the e...

Puccini for Beginners has a lot less to do with opera than it has to do with a sit-com view of life in the Big City. Not that the approach is inherently bad, and director Maria Maggenti has fashioned a reasonably entertaining movie that borrows he...