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The Red Turtle is one of the most unique high profile animated films to have come along in recent years and in a way represents a repudiation of the commercial arm of the genre. Lacking even a line of dialogue and using hand-drawn images, The Red Tur...

Renaissance is the latest in a growing range of screen titles with a graphic novel sensibility. Coming in the wake of Sin City, Renaissance treads through similar territory, but with a striking difference: director Christian Volckman uses rotoscop...

Rescue Dawn, which transpires in southeast Asia during 1965, makes three things perfectly clear. First, director Werner Herzog is obsessed with the story of Dieter Dengler. Second, Herzog loves making movies about men with a tenuous grasp on sanity...

Untethered to any of the previous seven live-action films and only loosely entwined with the video game series, Zach Cregger's reboot offers a completely fresh take on the franchise. While maintaining a few foundational elements—presumably enoug...

The apocalyptic scenario is one that nearly everyone born after 1945 has had to consider at one time or another. From the '50s through the '80s, it was the potential of a nuclear holocaust. Now, it's terrorism. Living with the ongoing possibility ...

It seems that once every dozen-or-so years, Sean Connery has the urge to go back into Bondage. After turning in his tuxedo and Aston Martin following 1971's Diamonds Are Forever, Connery ventured into the acting market as a free agent. His v...

There are essentially three kinds of boxing movies: those that offer a grim, tell-it-as-it-is perspective of life in the ring, those that focus (often in an exaggerated fashion) on the business aspects of things, and those that seek to uplift thro...