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Pulse is the latest Japanese horror film to receive an English-language remake. Not having seen the original, I can't make comparisons, but I can state that this is the worst translation within the genre to date, outdistancing such worthy contende...

The Purge: Election Year represents writer/director James DeMonaco’s attempt to squeeze one more movie out of a premise that has run dry. The first movie of the series offered little more than The Concept - an alternate universe tale that took ...

It's interesting to note that two of the best films I've seen theatrically in 1996 weren't made this year. In fact, they weren't even made this decade. The first, Martin Scorsese's classic, Taxi Driver, is celebrating its twentieth anniversary. ...

With a title like The Pursuit of Happyness, you expect the characters to get to the promised land. They do, but if the journey matters more than the destination, this is a movie to skip. The Pursuit of Happyness is long, dull, and depressing. It ...

With The Queen, Stephen Frears has at least two items on his agenda: to humanize the head of the British monarchy while at the same time indicating how far removed she has become from the concerns of her subjects. He also poses questions about the...

Race doesn’t challenge our expectations of what constitutes a competent bio-pic. Opting for a straightforward telling of a (mostly) true story, the filmmakers have moved forward with an abundance of reverence. I’m reminded of 2013’s...

Generic animated cash-grab.  It’s hard to think of a more appropriate phrase to describe Ratchet and Clank, the video game-based movie being dumped unceremoniously into theaters for what will probably amount to a one-week run. (Tepid box office co...

The 2019 film Ready or Not was a delightfully wicked surprise, a fun horror-comedy that managed to successfully blend a Monty Python-esque approach to slapstick violence with a generous helping of blood and gore. While the premise of a "most d...

When it comes to modern science fiction schlock, no TV network is more closely associated with the genre than Syfy. With titles like Megapiranha, Rage of the Yeti, Mongolian Death Worm, and Man with the Screaming Brain dotting the viewing sche...

For legendary Japanese director Akira Kurosawa, Red Beard represented the end of an era. Not only was it the last film he would make in black-and-white but it represented the end of a 16-film collaboration with Toshiro Mifune. Across the lands...