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Calling The 400 Blows a "coming-of-age story" seems somehow inadequate. The label, while accurate, does not indicate either the uniqueness or the cinematic importance of this motion picture. These days, the average coming-of-age story tends to be...

It’s not entirely clear when All I See Is You slides into a fog but it definitely happens. Is it because of all the hyper-stylized camera work that might have been okay in small doses but gradually becomes distracting and then downright irrit...

It takes about ten seconds to identify Asteroid City as a “Wes Anderson movie” and that’s arguably the movie’s Achilles Heel. Anderson’s style and approach have become so baked-into his projects that they threaten to overwhelm the materi...

At one time not all that long ago, Dreamworks Animation was churning out such exciting, well-loved projects as Shrek and How to Train Your Dragon. Of all the major studios, only they were able to challenge Disney on its home court. The Bad Guys...

Those wacky Coens are at it again. And those serious Coens. And those loquacious Coens. The Ballad of Buster Scruggs, a paean to pre-revisionist Westerns, allows the Oscar-winning brothers to try out nearly every weapon in their considerable ...

In a word, The Big Lebowski is a mess. But what a glorious, wonderfully-entertaining mess it is. This film, the Coen Brothers' follow-up to the critically-lauded Fargo, isn't likely to generate the same degree of universal praise. In fact, those...

During the past year, several of the studios releasing superhero movies have upped their game, moving into new territory without tossing aside the tropes that differentiate comic book-inspired fare from its traditional action/adventure cousin....

Black Panther: Wakanda Forever is an overlong blockbuster in search of an editor. It’s a series of impressive action sequences without a compelling narrative to connect them. It’s a frustrating example of how financial success, not creative im...