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Around the time that Mike Figgis began production of Leaving Las Vegas, John O'Brien, the author of the book upon which the film is based, shot himself in the head. This story, according to O'Brien's father, is his son's suicide note. And what an...

Some sequels are made too soon, while others are made too late. The Legend of Zorro, Martin Campbell's follow-up to his well-received 1998 feature, The Mask of Zorro, falls into the latter category. It's difficult to say whether the film would ha...

In 1998, Todd Solondz's Happiness became one of the most talked-about and controversial indie films of the year - a black comedy that ventured into David Lynch territory to expose the rot underlying the placid exterior of suburbia. At the time, Hap...

Terence Stamp is The Limey, and The Limey is Terence Stamp. Forget about everything else in this film - the supporting cast, which features Lesley Ann Warren, Luis Guzman, and Peter Fonda, Steven Soderbergh's lively direction, and even Lem Dobbs' ...

SPOILER ALERT: This review reveals a key plot element. Although the movie discloses it within the first 40 minutes, there are those who may not want to know about it. Anyone in that category is cautioned not to read past the second paragraph unti...

Following six James Bond movies with Sean Connery (and one with the dead-on-arrival George Lazenby), it was difficult -- to say the least -- for fans to accept the transition to wisecracking Roger Moore when he debuted in 1973. It didn't help t...

Man on Wire is a fascinating time capsule: a combination of talking-head interviews, actual footage, and re-creations that evokes a kinder, gentler world and provides insight into one of the most audacious stunts of the 20th century. Pieced togeth...

Few will argue that The Man with the Golden Gun is the silliest of all the James Bond motion pictures (Casino Royale excepted). From the return appearance of Sheriff J.W. Pepper (Clifton Davis) to the ridiculous martial arts fight where two s...

There are three kinds of Woody Allen movies: the comedies, the dramas, and the hybrids. Manhattan, which many critics believe to be Allen's most complete motion picture, belongs solidly in the third category - it has plenty of humorous lines (some...