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For those who are principally familiar with Sir Michael Caine from his work during the past two decades, his role as the rough-and-tumble Harry Brown may seem a little out-of-character. After all, this isn't the sort of thing one expects from the ...

One of the most positive comments that can be made about Hick is that it advances Chloe Grace Moretz's claim to be one of the best young actresses emerging into today's spotlight. Her roles have been numerous and diverse - a vampire in Let Me In, a...

By 1952, movie-goers knew exactly what to expect from a Western: a clean-cut, self-assured hero facing down a good-for-nothing villain in a climactic shoot-out, lots of action, gorgeous scenery, and not much in the way of thematic depth. This was...

The Hills Have Eyes II is a sequel to a remake but not a remake of a sequel. Curiously, Horrormeister Wes Craven has been involved in all four movies featuring the words "hills" and "eyes" in the title. He wrote and directed the 1977 original and ...

Few working directors display the versatility of Richard Linklater. Equally comfortable making high-concept art films, experimental outings designed for mass consumption, and multiplex-friendly fare, Linklater has brought to the screen projects as...

Admittedly, it's been about 35 years since I was reader of Dr. Seuss, but my memories of his books are that they're short and economical with words. Neither of those descriptions applies to this theatrical version of Horton Hears a Who!, which has...

Hotel Artemis has the look and feel of a graphic novel adaptation, albeit with a few pages missing. With its flashy action sequences and Tarantino-wannabe vibe, the movie tries hard to be hip and edgy but ends up simply being uneven. Tonal shi...

If you're like me, you probably paid little attention to the attempted genocide that occurred during the civil war in Rwanda in the mid-1990s (more than one million people died). I remember reading about it in the papers and occasionally seeing cli...

With Hugo, Martin Scorsese has accomplished what few in Hollywood are willing to try: make a movie for adults that arrives without sex, violence, or profanity and earns a PG-rating. It's a fairy tale for mature viewers, but the airy exterior hides ...

I have occasionally wondered what Showgirls might be like if it was made by a female director. Perhaps Hustlers offers a glimpse of the tantalizing possibility. Existing close to the nexus of the oft-derided Paul Verhoeven film and Martin Scor...