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Disney’s latest plundering of their own IP library has allowed them to release a live-action film that isn’t a remake of an animated tale. Jungle Cruise represents their third cinematic interpretation of a popular Disneyland/Magic Kingdom ...

Kansas City is Robert Altman's disappointing followup to the equally disappointing Ready to Wear, which underwhelmed critics and audiences alike following its Christmas 1994 release. While Kansas City is a modest step forward for one of America's ...

It is possible to make a movie in which nearly the entire running length is a car chase. An example of how to do this is Duel. An example of how not to do it is Kidnap. The problem with this bottom-of-the-barrel thriller is simple enough to ide...

Stunt coordinator-turned-director J.J. Perry, making his sophomore feature, knows what he wants from his movie and understands the B-movie aesthetic necessary to get it. And there are times when The Killer’s Game works on that level. The stunts ...

No one can accuse Martin Scorsese of not moving with the times. His latest production, Killers of the Flower Moon, follows in the footsteps of The Irishman in recognizing that the bulk audience will stream the film at home. So, although Scorsese h...

During the Great Depression in Saint Louis, Aaron Kurlander's (Jesse Bradford) family is falling apart. His little brother has been shipped off to live with an uncle, his sick mother (Lisa Eichhorn) has been admitted to a sanitarium, and his f...

Kodachrome is proof of the concept that solid direction and superlative acting can transform even a mediocre script into something worth watching. At its heart, Kodachrome is a middling road picture – a film whose every plot point is predict...

There can be many reasons for re-releasing a motion picture. In some cases, like Star Wars, the motive is as much for profit as it is for artistic reasons. The same claim cannot be made of Le Samourai, a 1967 thriller that has been cited by no le...