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From Russia with Love, along with its successor, Goldfinger, represents Bond at his best. Although the series has run for more than thirty years with seventeen "official" entries, it has yet to better, or even equal, what it achieved in 1963-19...

Game Night is canny enough to go full-throttle with the absurd and not bother trying to do much with its meager dramatic and/or sentimental elements. Character-building occurs through the comedy and doesn’t extend beyond what’s needed to k...

At first glance, James Ronald Whitney's Games People Play: New York appears to be what one might call an extreme reality game - a combination of "Fear Factor" and "Candid Camera" with stunts so over-the-top that even an R rating would be unattainab...

What movie-goers find funny has changed since the end of the silent era. Many of the pratfalls and hijinks that so delighted audiences in the 1910s and 1920s have long since ceased to provoke anything more full-bodied than a chuckle. Neverthel...

Ghost Dog: The Way of the Samurai illustrates that, in some bizarre way, artsy films can be subject to the same major flaws that often afflict Hollywood blockbusters. It's typical for a big budget motion picture to ignore logic and consistency in ...

Ghost World could easily be considered an "anti-Hollywood coming of age story". Although it follows the contours of the genre, the path is different enough to make the movie seem fresh, non-formulaic, and occasionally surprising. Of course, for s...

I saw Gigli for much the same reason that a good portion of the movie's eventual audience will see it. Jen and Ben? No. Morbid curiosity? Yes. After all, it had become fashionable to rip Gigli. The advance word on this film was so vicious tha...

As a snapshot of 20th century history, Golda does its job. As something more eloquent and important, the film falls short of its goal. Although the title makes it sound like a bio-pic, Golda is actually a fictionalized reconstruction of one of the...