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Cadillac Records, while not a "musical" in the traditional sense, is close to 50% musical content and 50% drama. Accordingly, it's about 50% good and 50% bad. The re-creations of some of the most noteworthy blues and early rock tunes from the '50...

It's probably unfair to blame the failure of Carrie on Steven King. While it's true that the script, written by Lawrence D. Cohen and based on King's novel, is a mishmash of clichés and poorly-realized characters, director Brian De Palma des...

After viewing Casino, you may never look at Las Vegas in quite the same way. While this film, adapted from Nicholas Pileggi's nonfiction book, Casino: Love and Honor in Las Vegas, doesn't offer much in the way of startling revelations, it presents...

When Pierce Brosnan took over the role of James Bond for Goldeneye, much was made about how the franchise was being "modernized." In reality, the only apparent changes were cosmetic. Brosnan's 007 was easily connected to the character previously p...

In 1927, with much fanfare, The Jazz Singer was released. As every movie-lover knows, this otherwise unremarkable motion picture possessed one crucial asset: it was the first film to use recorded sound, and ushered in the "talkie" era. The trans...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...

Regarding a concussion as a serious brain injury is a relatively recent phenomenon. For many years, “getting your bell rung” (as the expression goes) was something people were expected to shrug off. For sports, the fix was to take a coupl...

Contagion is the best movie made to date about an epidemic/pandemic. By making the characters accessories to the story rather than the central focus, the film is able to tell the story of the evolution of the disease without being encumbered by mel...

In essence, Control is a standard order biopic of a tormented artist. What makes the film interesting, if not unique, is the style in which director Anton Corbijn has elected to present it. Rather than approaching the picture with the vivid psych...