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Beverly Hills Cop holds a retains a hallowed position in the pantheon of ‘80s blockbusters. It was the third of three films to catapult Eddie Murphy to movie stardom (the others being 1982’s 48 Hours and 1983’s Trading Places). At the time w...

Mike Nichols, the director of such well-received films as The Graduate and Working Girl, has taken the outrageous 1978 French farce, La Cage aux Folles, and, by tweaking, updating, and Americanizing it, come up with a huge winner. The Birdcage, as...

It was as ill-advised as it was inevitable: a sequel to 1999's most unexpected hit, The Blair Witch Project. These days, however, creativity rarely enters the question when huge amounts of money are involved, and The Blair Witch Project brought A...

"In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. A year later their footage was found." With this ominous pronouncement on a title card, The Blair Witch Project begi...

Watching The Bling Ring, Sofia Coppola's exploration of today's "celebrity culture," is an uncomfortable - bordering on unpleasant - experience. The problem isn't the depiction of the underside of America's celebrity obsession but the manner in whi...

I suppose Blue Crush can be viewed as a "guilty pleasure", with an emphasis on the first word of that phrase over the second one. The movie, the latest directorial effort from John Stockwell (Crazy/Beautiful), is redeemed to one degree or another ...

While there will always be a debate about the authenticity of Michael Moore's documentary techniques, there's no arguing that Bowling for Columbine succeeds equally well as a provocative essay on gun violence in America and an opportunity for the w...

The Boys in the Boat is an old-fashioned, uplifting story about the triumph of underdogs. The film radiates the same level of classiness often associated with its director, George Clooney. Sentimental without being saccharine, this based-on-histor...

With Brooklyn's Finest, director Antoine Fuqua and screenwriter Michael C. Martin use the ensemble approach of Crash to tell the minimally entwined stories of three Brooklyn cops, all of whom have reached a crossroads of one kind or another. Storie...