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Animated films come in three flavors: childish cartoons that are designed primarily to appeal to the under-10 crowd, middle-of-the-road efforts that at least make an attempt to entertain parents while never threatening established envelopes, and ...

In the terrorist-busting business, perception is more important than reality. That’s the thesis of Christopher Morris’ blistering black comedy, The Day Shall Come, and he delivers the message with the subtlety of a jackhammer. The most dis...

Taylor Hackford's The Devil's Advocate has many laudable qualities, but subtlety is not among them. The story, which postulates that the devil is walking among us today, gives Satan's human alter-ego a truly obvious name: John Milton (for those w...

Towards the end of Double Jeopardy, one individual threatens another, "I'm gonna have you arrested for stupidity." I wish someone had made a similar pronouncement to director Bruce Beresford and writers David Weisberg & Douglas Cook. In most case...

Driving Miss Daisy, the first movie to win the Best Picture Oscar during the decade of the 1990s, is, at its heart, a buddy film. Although some may see that as degrading something that addresses serious issues (like racism and anti-Semitism in...

Be careful what you wish for, you may get it… For non comic book fans over the age of 13, Fantastic Four: Rise of the Silver Surfer is a tedious, incoherent bore. For comic book fans of any age, it is an atrocity - the cinematic desecration o...

No one could accuse David M. Evans of a lack of ambition. In The Final Season, he takes a standard sports cliché - the underdog team facing a big game - and grafts onto it countless mediocre subplots. There are so many, in fact, that it would tak...