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Perhaps it's redundant to say that a David Lynch movie is weird (actually, "incomprehensible" might be a better word). Don't ask me to explain Lost Highway; I'm not sure I can. For that matter, don't ask Lynch, either. All he's willing to sa...

It’s a shame that, for all the good things Love Lies Bleeding does, the ending is such a complete disaster. After more than 90 minutes spent exploring neo-noir tropes and crafting a fascinatingly ambiguous lead character, Rose Glass’ sophomore...

With a standout final performance by Chadwick Boseman and equally arresting work by Viola Davis in the title role, Ma Rainey’s Black Bottom gets the year’s award for least-likely title to vie for a ton of Oscar attention. Adapted from the ...

The Man Who Invented Christmas conflates the biography of Charles Dickens (at least until 1843) with the events of one of his seminal works, A Christmas Carol. Watching the film leads one to the conclusion that, although the story might have w...

"When the legend becomes fact, print the legend." That single quote, uttered by newspaperman Maxwell Scott (Carlton Young), encapsulates the primary theme of John Ford's last great Western, The Man Who Shot Liberty Valance. Truth is only meanin...

The term “an interesting failure” was coined for movies like Megalopolis, an incoherent (but often fascinating) excursion into the mind of writer/director Francis Ford Coppola. An allegorical exploration of modern-day America, this movie i...

One of the questions I am frequently asked by e-mail is "What is your favorite comedy?" In a horse race that's almost too close to call, I have decided upon A Fish Called Wanda, followed closely by The Life of Brian, then Monty Python and the Holy...