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It’s never a good sign when you’re checking your watch and the movie isn’t even half over. Unfortunately, that’s the case with Anemone, the directorial debut of Ronan Day-Lewis, which also marks the screen return of the now-unretired Danie...

Angel Baby, a tale of love, loss, and mental illness from Michael Rymer, swept through the 1995 Australian Film Awards, winning seven, including best picture, best director, best actor (John Lynch), and best actress (Jacqueline McKenzie). Howe...

Since its 1979 release, Apocalypse Now has been widely regarded as one of the most powerful and influential films about the Vietnam War. Were it not for the final thirty minutes, I might agree. There's little doubt that the bulk of the movie, whi...

The scenario presented in Arrival isn’t new - motion pictures have been dramatizing an event of this sort almost since moving images first flickered on a big screen. We wonder about it, dream about it, imagine it, and write about it. Popular te...

One of the longest films of the fall (both in terms of title length and running length) is The Assassination of Jesse James by the Coward Robert Ford. It seems every bit as long or longer than its 160 minutes. Parts of the movie are brilliant in a ...

Bliss is one of those Twilight Zone/Outer Limits-type stories that, when presented at a high level, sounds compelling. With its blend of existential science fiction and character-based romance, it would seem to be as close to a can’t-miss pr...

If I was to review Giuseppe Capotondi’s The Burnt Orange Heresy based exclusively on the film’s first half, I would have nothing to offer but raves. Unfortunately, the film’s final 30 minutes prove unable to deliver on the promise of the...

Animated films come in three flavors: childish cartoons that are designed primarily to appeal to the under-10 crowd, middle-of-the-road efforts that at least make an attempt to entertain parents while never threatening established envelopes, and ...

In the terrorist-busting business, perception is more important than reality. That’s the thesis of Christopher Morris’ blistering black comedy, The Day Shall Come, and he delivers the message with the subtlety of a jackhammer. The most dis...

Taylor Hackford's The Devil's Advocate has many laudable qualities, but subtlety is not among them. The story, which postulates that the devil is walking among us today, gives Satan's human alter-ego a truly obvious name: John Milton (for those w...