ReelViews for R movies

The summer blockbuster season of 2013 is over, so what do we get as we move into the dog days of August? Yet another superhero movie. If there was ever any question about their ubiquitous multiplex presence, this answers it. A sequel to the breath-...

The kids may be all right, but the adults aren't. That's the underlying premise of Lisa Cholodenko's unconventional family drama - a motion picture that uses wry humor and uncommon sensitivity to underscore some of the difficulties inherent in any...

As a concept, Kill Bill has a surfeit of potential. The problems with the film are mostly related to post-production choices, few of which can be said to have resulted in a better product. Taken as a whole, the movie offers its share of tremen...

Quentin Tarantino fans have been waiting six long years for the release of the director's follow-up to Jackie Brown. So what do they get for their patience? An incomplete movie, artlessly cleft in the middle. Cinema interruptus. A film whose ed...

Two things are readily apparent about Kill Bill Volume 2. First, unlike its predecessor, this is a complete movie. It stands on its own. It is possible to see and enjoy Volume 2 in a way that was not true of Volume 1. Viewed in retrospect, the ...

The pen may be mightier than the sword but, as related in Michael Cuesta's Kill the Messenger, whispered innuendo is more deadly than both. Imagine, if you will, All the President's Men with Robert Redford's Bob Woodward brought down by attacks on ...

Despite having a perfect cast for a title like Killer Elite, Gary McKendry's feature debut comes across as little more than a generic Jason Statham movie with two high-profile guest stars. However, while Clive Owen and Robert De Niro add some star ...

The Killer Inside Me, British director Michael Winterbottom's adaptation of American pulp writer Jim Thompson's novel, is full of nice little touches, but somehow misses the mark when it comes to the big picture. Winterbottom's approach is a littl...

Stunt coordinator-turned-director J.J. Perry, making his sophomore feature, knows what he wants from his movie and understands the B-movie aesthetic necessary to get it. And there are times when The Killer’s Game works on that level. The stunts ...

The Killer is pure David Fincher – moody, atmospheric, gloomy, and suffused with a thread of dark, sardonic humor. Despite the lack of dialogue, there’s a lot of talking. The film uses a running internal monologue to take the viewer into t...