ReelViews for R movies

If Knock at the Cabin was an episode of the old TV series “The Outer Limits,” it would be regarded as middling and forgettable. Such descriptors seem kind, however, when applied to a 100-minute production that requires an admission fee. A medi...

For Knocked Up, writer/director Judd Apatow's sophomore feature, the filmmaker has elected to follow pretty much the same formula that made his debut, The 40 Year Old Virgin, such a success. Considering how winning the formula is, it's a safe appro...

Entries into the so-called “Sony Spider-Man Universe” continue to disappoint. Even the best of these has not been very good and Kraven the Hunter is far from the best (it’s not the worst either, though). For those looking for silver linings,...

Crooked cops. The mystery and allure of Hollywood in the '50s. Death, double-crossing, and secret alliances. Paparazzi waiting to get that one breakthrough picture. These are just some of the elements that make Curtis Hanson's L.A. Confiden...

Lady Bird, the solo directorial debut of actress Greta Gerwig, is the intimate coming-of-age story of a young woman from Sacramento, California, who believes the world is happening out there while she is trapped in a dead-end existence. Highl...

The nature of D.H. Lawrence’s novel, Lady Chatterley’s Lover, lends itself equally to high-brow adaptations and soft-core porn. The best-known example of the latter was a 1981 production starring Sylvia “Emmanuelle” Kristel. Those looking ...

Lady Vengeance is the conclusion of South Korean director Park Chan-wook's "Revenge Trilogy." (The other two episodes: 2002's Sympathy for Mr. Vengeance and 2003's Oldboy.) Over the span of three films, Chan-wook has examined many aspects of the co...

The Ladykillers is an interesting concoction - a faithful update of the original Ealing comedy cooked in vat of Coen Brothers' seasoning. Even though this is based on the 1955 British film of the same name, those unfamiliar with The Ladykillers' p...

Maturity can be an evanescent quality. Sometimes, even when you've acquired it, you don't recognize it. As a grown woman or man, having left childhood long behind, it's still possible to think of oneself as a young person playing the part of an adu...

Lamb, the feature debut of Valdimar Johannsson, is the latest export from Iceland to indicate that movies from that corner of the world may not be the most palatable to mainstream American audiences. Johannson has had plenty of experience with...