ReelViews for R movies

No one can accuse Martin Scorsese of not moving with the times. His latest production, Killers of the Flower Moon, follows in the footsteps of The Irishman in recognizing that the bulk audience will stream the film at home. So, although Scorsese h...

Perhaps nothing illustrates how far Arnold Schwarzenegger’s fortunes have fallen since his return to acting than his participation in Killing Gunther, a second-tier action/comedy written and directed by ex-SNL cast member Taran Killam. This ...

The Killing of a Sacred Deer, director Yorgos Lanthimos’ follow-up to his weirdly compelling The Lobster, draws on Greek mythology for its title and its central conceit, a sort-of modern-day Sophie’s Choice. The film exists deep in a meta...

Killing Them Softly is 2012's answer to Mean Streets. With a similarly uncompromising, gritty aesthetic to early Scorsese, Andrew Dominik's adaptation of George V. Higgins' Cogan's Trade takes a decidedly unglamorous look at the lives of small-time...

"I have always liked European cinema and, originally, I was going to make this for $200,000 on 16mm black and white. So I decided to write a movie with a lot of French language and use subtitles, and them make it a violent action picture... For th...

To date, The Favourite ranks as the nearest Yorgos Lanthimos has come to making something easily accessible to mainstream movie-goers. Poor Things comes in a close second, despite its Frankenstein­-inspired weirdness. But, with Kinds of Kindness,...

It’s clear that director Judd Apatow is comfortable collaborating with stand-up comedians on projects that contain at least some autobiographical details. The King of Staten Island represents his third such film, following in the wake of Fun...

The problem with The King’s Man isn’t that it’s a bad film (it isn’t) but an unnecessary one. To the extent that there was a worthwhile story to be told in this comic book-based universe, it was presented in Matthew Vaughn’s 2015 feature...

The King's Speech delivers solid drama with a rousing climax - a fully satisfying and uplifting period piece that achieves its dramatic potential without sacrificing historical accuracy. Unless you count Hitler, who is seen from afar, the narrative...

In Gladiator, director Ridley Scott transported movie audiences to the year 180 AD. Five years and four motion pictures later, the Oscar-winning director has again immersed himself in the blood and gore of hand-to-hand combat, although this time t...