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No Reservations is an adequate adaptation of Sandra Nettelbeck's 2001 German feature, Mostly Martha. While not as emotionally resonant as its inspiration and tending a little more toward melodrama, No Reservations is nevertheless a uplifting tale ...

The good news is that the 2001 version of Ocean's Eleven represents one of the rarest of Hollywood rarities: a re-make that is actually better than the original. That's not to say that this motion picture is an unqualified success - one tends to e...

Consider this situation: two people approach an intersection from different vantage points. When an accident occurs, they both observe the same facts, yet afterwards their versions of events differ considerably. Neither is lying; rather, it is t...

One Missed Call is yet another PG-13 horror movie adapted from a Japanese source. Taken in concert with The Ring, one has to wonder if these productions illustrate some subconscious fear of technology felt by the Japanese. First, they're being me...

By some accounts, the event forming the basis of One Night in Miami may have happened. If it did, however, nothing is known about what was said when four black icons of the 20th century gathered following the unexpected boxing victory of Cassi...

It seems that hardly a year goes by without a new cinematic adaptation of one of Shakespeare's plays, and, of late, Kenneth Branagh's name has become intimately entwined with that of the Bard. While Branagh, who helmed Henry V, Much Ado About Noth...

Other People’s Money, the motion picture adaptation of Jerry Sterner’s 1989 play, opens with a deliciously cynical monologue by Danny DeVito that captures public perceptions from the era: “I love money. I love money more than I love the ...

Pathfinder feels like one of those generic '80s action films where there's plenty of violence with no suspense, lots of stunt work but no excitement, and a cast of characters so poorly developed that it's easier to care about the background scenery...

For Malcolm Washington, The Piano Lesson was something of a family affair. For his directorial debut, the filmmaker recruited his brother, John David Washington, to play the lead, while his father, Denzel, produced. The screenplay, which Malcolm c...