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Sleuth is Kenneth Branagh's re-make/re-imagination/re-invention of the 1972 Joseph L. Mankiewicz film which, in turn, was based on Anthony Shaffer's stage play. In the original, Laurence Olivier played the high-born snob Andrew Wyke and Michael Cai...

Sleuth, a 1972 "thinking person's thriller," is a rich, engaging motion picture with surprises lurking in the shadows behind every narrative corner. The film opens with a shot of Michael Caine making his way through a hedge labyrinth in search...

When one contemplates the amount of Oscar talent associated with The Son, the result can’t be considered anything less than a disappointment. A story of mental illness and the associated feelings of guilt and inadequacy visited upon the loved on...

Back in the 1980s and 1990s, there was a popular thriller trope in which a character (or group of characters) would form a connection with a stranger (or strangers) but, over time, the actions and motivations of one character would turn murderous....

There was a time when it was considered "daring" or "risky" to make a comedy-tinged war movie. In the early 1950s, with the scabs from World War II still in evidence and the United States enmeshed in Korea, war didn't seem to be a lighthearte...

The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...

Sam Peckinpah's 1971 adaptation of Gordon Williams' novel elicited more controversy than the uncompromising director expected, in large part because of the unflinching and somewhat ambiguous depiction of a double rape. In addition to the unexpurgat...

If I wanted to be kind, I’d call Luca Guadagnino’s Suspiria remake “visually striking” and “stylish.” If I wanted to be brutally honest, I’d call it “tedious”, “pretentious”, and even “painful” (although not in a good ...

Note to readers: this review contains spoilers. While I do not believe that the revelation of certain plot points will damage the overall viewing experience, those who wish to see Sweet November without having previous knowledge of key elements wo...

The word that best describes Guy Ritchie's version of Swept Away is "unfortunate." The word that best describes Madonna's attempt to play Amber Leighton is "unfortunate." The word that best describes my decision to see this movie is "unfortun...