Despite a committed performance from Mackenzie Davis, the film corkscrews into a death spiral of trite dialogue meant to obfuscate the lack of a meaningful narrative.
This clumsy, straightforward caper comedy is neither funny nor clever and leaves no lasting impression beyond the desire to warn people to stay away.
Perhaps the “Wonder” in "Wonder Wheel" is that anyone agreed to produce something so tired, joyless, and uninspired.
A tonal disaster – an awkward and ineffective attempt to blend dark comedy with social commentary.
Artificial and reeking of white privilege, this is the kind of movie that causes people to mutter things about “entitlement” when speaking of the “Hollywood elite.”
Lifeless, contrived, and sleep-inducing, it’s an example of how badly wrong a film can go.
"Goon: Last of the Enforcers" is a waste of time, money, talent, and the goodwill of viewers who appreciated the earlier picture.
An orgy of incoherence, a sensory assault that suffocates the viewer in a cavalcade of special effects incontinence.
One movie in, The Dark Universe is already a black hole of creativity and intelligence.