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Andrei Rublev is arguably the most accessible of Soviet director Andrei Tarkovsky’s films. It is also his longest. Unlike his better-known movies, Solaris and Stalker, Andrei Rublev is historical (not science fiction). Nevertheless, it share...

Filtered through a prism of Italian neo-realism, The Battle of Algiers is an unflinching portrayal of how high-minded ideals get trampled underfoot in the heat of war. The film is relevant to modern-day audiences not so much in the specificity ...

Black Girl is the feature debut of acclaimed African author-turned-filmmaker Ousmane Sembene. Clocking in at roughly an hour in length, the movie suffers from a number of what might be considered “teething” flaws: uneven pacing, wooden act...

Audiences today might be tempted to label Michelangelo Antonioni’s Blow-Up as a “thriller that doesn’t deliver.” There’s some validity to that charge – if what one expects from a murder mystery is a resolution to the whodunnit? asp...

There are times when A Man for All Seasons seems like an older, gentler uncle to George R.R. Martin’s Game of Thrones. (Martin was in part inspired by some of the more salacious and bloody episodes of English history, particularly during th...

In the community of elite critics, there are those who would claim that Persona is the best film ever made, placing it in the rarified atmosphere of such classics as Citizen Kane, City Lights, and Tokyo Story. Although I would agree that Perso...