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In the tradition of Norma Rae and Silkwood, North Country is the story of one woman's struggle against an inflexible corporation. Despite some third-act flaws that weaken the conclusion, North Country does what it sets out to do: inspire and uplif...

At the time of its release, the vastly overrated Longlegs was being touted by some critics as the most “terrifying movie of 2024.” It’s doubtful that anyone making such a statement has seen Irish director Damian Mc Carthy’s sophomore film,...

The traditional movie musical may not be dead, but it's on life support, a victim of the changing taste of movie-goers. Once is an effort to provide a musical that works for a modern audience by grounding the situation in reality and cutting out th...

Once Were Warriors, a New Zealand export, is centered upon the touchy yet timely topic of domestic violence. It is not, however, merely another "domestic violence motion picture." With its complex cultural backdrop and its stark view of this soci...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

It's a risky proposition for any artist (director, author, etc.) to humanize a terrorist. In an era when many things have been reduced to black-and-white, the word "terrorist" has become synonymous with "evil." And evil can only be demonized. Becau...