Search for Land

They could have called this Paranormal Inactivity. It's a rare horror franchise indeed that manages to remain fresh and creepy by the time it arrives at installment #4. Paranormal Activity, despite a terrific beginning, quickly grew stale and r...

The story of Joan of Arc (properly Jeanne d'Arc) has been a staple of the cinema since the medium was invented. In fact, due to the canonization of Joan in 1920, her tale was more popular in the early days of movies than it has been in recent time...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

Payback is the most viscerally involving thriller to be released in the last several months. Granted, the plot is far from air-tight (in fact, towards the end, it begins to resemble Swiss cheese), but the adrenaline level is heightened to the poin...

To lump The Pianist in with all of the other Holocaust stories brought to the screen does a great disservice to this powerful, compelling motion picture. Crafted without a whiff of melodrama, this motion picture takes a steady, unflinching look at...

The Piano is about passion, the most basic and primal element of human nature. No matter how thick the veneer of civilization is, or how deeply-buried beneath layers of social repression those latent emotions are, passion ultimately cannot be deni...

Is Poor Things a fantasy with comedic elements? Or perhaps, considering its Frankenstein underpinnings, a horror movie? Or maybe a drama that promotes feminist ideals and libertine philosophies? In reality, it may be all of those things…and more...

There are two ways that you can look at Kevin Costner's The Postman (not to be confused with the former Oscar contender of the same name, starring Massimo Troisi). The first is that it's a muddled but occasionally-brilliant lampoon of epic motio...

Powerful and bruising at its best, The Power of the Dog excels at character development – something that has always been in director Jane Campion’s wheelhouse. The pacing, however, is uneven. The movie is slow to start and ends on a note that ...