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Whenever a movie is released that seeks to tantalize the taste buds through the sheer force of its visual imagery, most critics feel duty-bound to advise potential viewers not to see the film on an empty stomach. That warning applies here, althoug...

When The American President was released, many knowledgeable movie-goers commented how the sentimentality of its "feel good" storyline recalled the work of director Frank Capra. Now, with Mr. Holland's Opus, another Capra-esque motion picture has ...

There was a time when David Lynch made coherent, challenging motion pictures. Love it or hate it, there's no doubt that Blue Velvet was one of the most talked-about motion pictures of the 1980s. Some consider it to be a masterpiece, while others vi...

Following several release delays, Mulholland Falls has finally reached theaters. Usually, when a distributor keeps putting off a film's opening, it's a sign that there's something wrong with the production, and, about halfway through Mulholland Fa...

With Mystic River, Clint Eastwood has rebounded nicely from the failure of his mediocre previous effort, Blood Work. Absent from the screen but behind the camera for the first time since Midnight in the Garden of Good and Evil, Eastwood concentrat...

It is an accepted truth that adapting a sublime novel does not always result in a sublime movie. To an extent, this is the problem with Never Let Me Go, Alex Garland's adaptation of Kazuo Ishiguru's book. The film's tone, which attempts to captur...

When I first saw Next Stop, Wonderland at a packed screening in the Egyptian Theater during this year's Sundance Film Festival, I was not impressed, and couldn't understand why Miramax Films would ante up $6 million for what is fundamentally a re-t...

Whenever a movie addresses the subject of a girl living alone on a desert island, the soft porn warning lights go on. So it may come as a bit of a surprise that Nim's Island is a family film in which no one considers skinny-dipping. What's more, i...

To find Nomadland, all one has to do is locate the place where the documentary intersects with the feature film. Based on the non-fiction book by Jessica Bruder, writer/director/editor Chloe Zhao has added form and texture by presenting this j...