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George A. Romero may have been the originator of the modern zombie movie, but, at least with Land of the Dead, he hasn't done much to refine it. The zombies are creepier looking than in the past, and the gore is more hard-core, but the story still...

What were they thinking? Not only does the concept of re-imagining a campy Saturday morning TV show as a Will Ferrell "family-friendly" big-budget movie sound bad, it is bad. A turd of T-Rex proportions, Land of the Lost makes one remember last s...

Wedding family drama with rose-colored 1990s nostalgia, Landline provides an ensemble of solid performances and some affecting moments but is ultimately undone by a storyline that treads too-common ground for American indie (and French) films. ...

The Last Exorcism is one of those rare films where the marketing campaign is more interesting than the film it publicizes. The movie is clearly low-budget and, rather than spending big bucks in the traditional arenas, Lionsgate has elected to prom...

The Last King of Scotland, in addition to having one of the most misleading titles of any movie to open this Oscar season, could also be 2006's Hotel Rwanda. Like last year's sadly overlooked feature, this one peers into another troubled African na...

It's a genuine pleasure to come across a motion picture like The Last Samurai - a rousing tale that combines high adventure with emotional effectiveness. This movie works because it never loses sight of the characters no matter how epic the scope ...

Often, when a romantic comedy fails, it's because of the lack of chemistry between the leads. In the case of Leap Year, the problem isn't the absence of chemistry but the presence of too much of the wrong kind. The sense of cold antagonism that i...